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“Creepy Nut” Ron Paul Votes “No” to Liu Xiaobo
Ron Paul makes John Hinderaker at Powerline cringe, if my feel is right from the following article about the libertarian House Representative from Texas. He must have followed this squeaky box make noise at the stagings of Republican presidential candidates in 2008. At best he was a misfit.
John Hinderaker writes: “Attentive readers may have noticed that I am no admirer of Ron Paul. In fact, I once dubbed him the Pee-Wee Herman of the Republican Party. Paul illustrates, in my view, the dark side of libertarianism. The Achilles heel of Paul’s brand of libertarianism is foreign policy. You could describe him as an isolationist, but I think he is worse than that: during the Bush administration, his antiwar rhetoric took on a vicious quality.
Today Paul showed once again why he is outside of the conservative mainstream. The House of Representatives voted 402-1 to congratulate Chinese dissident Liu Xiaobo on her Nobel peace prize. The one Congressman who voted No was Ron Paul.
Was the vote purely symbolic? Of course; which makes Paul’s No vote even worse. For an American politician not to favor freedom and democracy abroad, even in principle, is simply perverse.”
Mr. Hinderaker is rather severe in using his PeeWee Herman description, I believe. I don’t think Mr. Paul has been arrested for anything, yet. And, although he often sings a loony tune, and so cannot be trusted, no doubt about that, he usually does votes with the good guys.
I do believe he acts like a creepy nut, however. Let’s call him the House ‘pekingese’ for his yappy nature. He demonstrated his specialties while on parade with the Republican candidates for the presidency in 2008. Can you imagine anyone as abrasive as Mr. Paul for any presidency of any kind anywhere…..oops, I forgot HarryReid, but even the nore foolish Senator from Nevada isn’t quite as yappy.
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Maureen Dowd Worries About Sarah Palin’s Trigger Finger
Part of the New York Opinion Page is occupied by Maureen Dowd. Maueen Dowd these days is occupied by Sarah Palin. In today’s episode Ms. Maureen is concerned about caribou 600 miles into the Arctic in Alaska and Sarah Palin’s trigger finger.
Maureen writes that Sarah Palin’s trigger finger is proof she is too primitive to be president. Some Americans who viewed viewed videos of Barack Obama’s father figure, preacher, Jeremiah “Goddamn America, Wright, thought the videos were proof Mr. Obama was too primitive to be president. Moreover he was fascinated by Marxism. Yet, he’s president.
Personally, I think Sarah Palin is wonderfully ideal American, bright, quick, proud of her heritage, charming, capable on many social and political fronts, but I, too, don’t see her as a president. Yet she possesses many more qualifications for the presidency than the deeply flawed, Marxist, Barack Hussein Obama. Top educators used to radiate about the solidly adjusted Sarah Palins of the nation for being so well rounded. Obama is one dimensional and would score in the negatives by their scales.
In her New York Times article, “Pass the Caribou Stew,” Ms. Maureen also writes:
“Palin’s father advises her to warm up her trigger finger. And trigger-happy Sarah represents the Republicans, who have spent two years taking shots at the president, including potshots, and tormenting him in an effort to bring him down.
The Republicans think they have hurt their quarry on the tax-cut deal, making him look weak and at odds with his party. There’s an argument to be made for what the president did, but he doesn’t look good doing it.
When all the Democrats are complaining and all the Republicans are happy, it just can’t be a good deal for Democrats.
Obama gave up on a big principle, and Democrats showed — again — they can’t win the message war. Republicans proved that, while they don’t have the House (for now), the Senate or the White House, they’re still running things.
Obama used to play poker in the Illinois Legislature, but it’s hard to believe. First, he cried uncle to Republicans standing in the corner, holding their breath and turning blue. Then, in his White House press conference, he was defensive, a martyr for the middle class.
He said he must compromise at times as he follows “a North Star.” It was odd, given that Palin uses North Star as a code name, her own “city on the hill” reference, and an allusion to God.”
Comment: Notice what a spell this Palin woman has over people….proves me right!
“The president said he couldn’t stick to his guns, even though most Americans agreed with him, because Republicans feel that this is their holy grail: “the single most important thing that they have to fight for as a party.” But isn’t helping those in need rather than gilding the rich a holy grail for Democrats? Does he think for a second that the Republicans will relent and be more reasonable in two years? If he believes he can go out in 2012 and attack the Republicans when the political stakes are much higher, why couldn’t he do it now?”
Comment: What do you think she means bringing in the guns the president couldn’t stick to? What is the “this” that is determining the Republican holy grail? Perhaps Obama is worried about his re-election chances in 2012 and decided he couldn’t do “it” now. (How dare he.)
“It’s not that hard to explain to Americans in distress that the protection of vast fortunes should not be the priority of government.”
Further comment: This Ms. Maureen Dowd is a profoundly deep thinker about American issues, don’t you think. Look for her columns in the New York Times comic section.
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The “F_ _you Oo oo ooo! and Other Rot in the American Music Industry
“A people’s Art reveals a people’s Culture”……an age old truism.
People who know Dennis Prager are aware of his interest and broad taste in music. Dennis wrote the following column about the contemporary American music recording industry titled: “F- – – you” at his website at Townhall.com:
“The nominees to receive the most prestigious awards in the music industry, the Grammy Awards, were just announced. Among the five nominees for Record of the Year is a song titled “F— You,” with the F-word, of course, spelled out and pronounced.
Here are the song’s opening lyrics:
“I see you driving ’round town
With the girl I love and I’m like,
F— you!
Oo, oo, ooo
I guess the change in my pocket
Wasn’t enough, I’m like,
F— you!
And f— her, too!”
The next lyrics add the S-word:
“I said, if I was richer, I’d still be with ya
Ha, now ain’t that some s–t? (ain’t that some s–t?)
And although there’s pain in my chest
I still wish you the best with a
F— you!
Oo, oo, ooo.”
And shortly thereafter, the N-word:
“I pity the fool that falls in love with you
(oh, s–t, she’s a gold digger)
Well
(just thought you should know, n—-)
Ooooooh.”
It is also worth noting that the video of this song includes children who appear to be under 12 years of age and all the performers are black — a point I will address later.
I have long believed that MTV has done more damage to America’s young people than any other single institution. I am referring to the music videos, in which most images or scenes are shown for less than two seconds and thereby numb kids’ minds, and to the sexual imagery and sex talk that permeate the music videos and much of the rest of MTV programming.
But while MTV should be singled out for the damage it has done to America, the music industry in general has been equally guilty.
How does a song replete with expletives, whose very title is “F— You,” get nominated for a Grammy Award as Record of the Year?
The answer is that the music industry, from producers to artists, is largely populated by people who regard social and cultural norms as stifling. Their professional lives are dedicated to lowering that which is elevated, destroying that which uplifts, and to profaning that which is held sacred.
There is no better explanation for “F— You” being nominated as Record of the Year. It has little, if any, redeeming moral, social or artistic (to the extent that this word retains its original meaning) value. The lyrics are as vapid as they are obscene; the video further degrades that part of black life that is already too lacking in elevation; and there is the participation of children in a profanity-filled video.
For most of American history, a child who used such words was punished by his parents, and society instinctively knew how important it was not to expose children to obscenities. Today, adults in the music industry reward children for participating in videos laced with obscenities.
Nor is the nomination of “F— You” as Song of the Year an aberration. Two of the other four nominees are rap “songs” whose lyrics are also vile.
Here are typical lyrics from the Eminem’s nominated “Love the Way You Lie:”
“And I love it the more that I suffer
I suffocate
And right before I’m about to drown
She resuscitates me
She f—ing hates me
And I love it.”
And later on:
“If she ever tries to f—ing leave again
I’ma tie her to the bed
And set the house on fire.”
The third nominee is an ode to New York City, “Empire State of Mind,” performed by black rapper Jay-Z and Alicia Keys, and which also contains the N-word. It is worth recalling that when white radio-show host Laura Schlessinger used this word solely in order to condemn its use in inner-city black life, society’s elite poured such wrath on her that it forced many of her sponsors to abandon her, and she decided to leave radio. But when Jay-Z uses it, he is rewarded with the nomination for the highest award in the music industry.
Two examples of the N-word use:
“Say what’s up to Ty-Ty, still sippin’ mai tais
sittin’ courtside, Knicks and Nets give me high five
N—-, I be Spike’d out, I could trip a referee
Tell by my attitude that I’m most definitely from. …
You should know I bleed blue, but I ain’t a Crip, though
but I got a gang of niggas walkin’ with my clique though. . . .”
For the record, the fourth nominee, B.o.B’s “Nothin’ on You,” is another rap song with something of a melody behind it. This song has a decent message of a young black man who, though tempted by other women, only wants his woman. And the fifth nominee was a lovely song, “Need You Now,” by the country music group Lady Antebellum.
How deep is the decay in the music industry?
According to the Los Angeles Times, these Grammy nominees were “decided on by about 12,000 voting members of the Recording Industry.”
Comment: The depth of the decay in the music industry is equal to the depth of the decay in America’s broader culture.
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