• Pragerisms

    For a more comprehensive list of Pragerisms visit
    Dennis Prager Wisdom.

    • "The left is far more interested in gaining power than in creating wealth."
    • "Without wisdom, goodness is worthless."
    • "I prefer clarity to agreement."
    • "First tell the truth, then state your opinion."
    • "Being on the Left means never having to say you're sorry."
    • "If you don't fight evil, you fight gobal warming."
    • "There are things that are so dumb, you have to learn them."
  • Liberalism’s Seven Deadly Sins

    • Sexism
    • Intolerance
    • Xenophobia
    • Racism
    • Islamophobia
    • Bigotry
    • Homophobia

    A liberal need only accuse you of one of the above in order to end all discussion and excuse himself from further elucidation of his position.

  • Glenn’s Reading List for Die-Hard Pragerites

    • Bolton, John - Surrender is not an Option
    • Bruce, Tammy - The Thought Police; The New American Revolution; The Death of Right and Wrong
    • Charen, Mona - DoGooders:How Liberals Hurt Those They Claim to Help
    • Coulter, Ann - If Democrats Had Any Brains, They'd Be Republicans; Slander
    • Dalrymple, Theodore - In Praise of Prejudice; Our Culture, What's Left of It
    • Doyle, William - Inside the Oval Office
    • Elder, Larry - Stupid Black Men: How to Play the Race Card--and Lose
    • Frankl, Victor - Man's Search for Meaning
    • Flynn, Daniel - Intellectual Morons
    • Fund, John - Stealing Elections
    • Friedman, George - America's Secret War
    • Goldberg, Bernard - Bias; Arrogance
    • Goldberg, Jonah - Liberal Fascism
    • Herson, James - Tales from the Left Coast
    • Horowitz, David - Left Illusions; The Professors
    • Klein, Edward - The Truth about Hillary
    • Mnookin, Seth - Hard News: Twenty-one Brutal Months at The New York Times and How They Changed the American Media
    • Morris, Dick - Because He Could; Rewriting History
    • O'Beirne, Kate - Women Who Make the World Worse
    • Olson, Barbara - The Final Days: The Last, Desperate Abuses of Power by the Clinton White House
    • O'Neill, John - Unfit For Command
    • Piereson, James - Camelot and the Cultural Revolution: How the Assassination of John F. Kennedy Shattered American Liberalism
    • Prager, Dennis - Think A Second Time
    • Sharansky, Natan - The Case for Democracy
    • Stein, Ben - Can America Survive? The Rage of the Left, the Truth, and What to Do About It
    • Steyn, Mark - America Alone
    • Stephanopolous, George - All Too Human
    • Thomas, Clarence - My Grandfather's Son
    • Timmerman, Kenneth - Shadow Warriors
    • Williams, Juan - Enough: The Phony Leaders, Dead-End Movements, and Culture of Failure That Are Undermining Black America--and What We Can Do About It
    • Wright, Lawrence - The Looming Tower

Getting to Know the Outdoors Better

The Landscape Garden

“The garden has long been perceived as the highest, most perfect form of all art creations, the one closest to God and bearing the imagery of paradise itself. Indeed, the timeless quote, “One is closest to God in the garden,” has been the splendid pleasure driving countless generations to transform the land into garden. No matter how pleasurable, how physically and spiritually rewarding working the vegetable garden and nurturing the home orchard may be, however, the paradise of gardening is the creation and maintenance of a landscape garden. This is the garden of art, the garden of soul. A landscape garden is a plot of ground made beautiful by the arrangement and careful cultivation of plants. The art is called landscape gardening and its artist and cultivator a landscape gardener. Landscaping one’s home ground is the means by which most Minnesotans become acquainted with at least the fringes of the art of landscape gardening. When they dream of home it is a house in a setting, a setting of lovely trees and shrubs civilized with a carpet of lawn and an arrangement of beautiful flowers.

Landscape gardening is primarily a visual art form. Its beauty is first to be seen, but its purpose is to stimulate thought, to cause to dream, to effect memory, to inspire. The landscape garden is classically to be a place of quiet where the visitor, upon entering, finds a closer communion with the thoughts and feelings of all who have ever gardened this Earth than with the time and troubles of the day.

Although picturesque, the landscape garden is not a painting, it is a performance. Its artist is not a painter but a choreographer arranging not fixed colors and forms on a canvas, but directing exits and entrances of living members of Earth’s realm, plants bearing color and form, lines and textures which, especially in our northland, are constantly changing. Yesterday’s garden as yesterday’s ballet will never again be performed. Yet the skilled landscaper garden artist, by tailoring shrubs and trees to a particular style or by using annual flowers for sweeps of color, can slow change in the garden to give the impression of permanence.

The landscape garden is to be entered, as one enters a cathedral or library. In English literature one “retires” to or “withdraws” into the library, presumably to consult or escape with some thought, some dream, some memory, some inspiration in print. To aid withdrawal there must be border. The gardened place must be defined so the eye and mind cannot wander; so thoughts and dreams cannot be interrupted. With no borders the landscape garden is no garden at all, but a field.

The arrangement of plants is to the landscape gardener what the arrangement of chords is to the pianist. Although it is possible for a novice pianist to find a pleasing chord, one chord does not make a composition. Likewise, a novice gardener may plant a pleasing combination of flowers and shrubbery, but a landscape garden this does not make. “Composers” of the successful landscape garden know their plants. They know plants’ shapes and sizes and how these can be tailored to style. They know plant colors and textures and when and how they change. Garden artists know the sun and shadow of the garden and how to introduce or exclude either. They know plant preferences for shade, soil, and moisture. They gain their knowledge primarily from the experience of working with plants, from years of planting and replacing until the right combination suits the eye.

Not only must the successful landscape garden be designed and planted, it must be given time to mature. Gardens, like people, gain character with age. It may take years, decades before a landscape garden performs its best. Trees cannot yet be manufactured. And the garden must be groomed, regularly tended by caring, experienced hands, the hands of an artist, the hands of a worker. And even when all this is done well, what is achieved is an arrangement of living plants each and all subject to Nature’s mood and dictate, to stand or fall as Nature sees fit. A garden as planned is a garden never achieved.”

Recently, American hero, Dennis Prager, while listing a number of devotions occupying his time, admitted that he wasn’t into “the Garden”.  Yet, he is a very religious man, devoted to the Books of Moses.

The human soul has limited time to practice God’s  devotions in one lifetime.   Dennis Prager is urban, New York City tar and pavement whose parents were neither dependent upon, nor inspired by the power and beauty of vegetative seeds….seeds upon which the human animal of all sexes, shapes, colors, and sizes relies on for food, protection, inspiration,  and exquisite beauty.

The beautiful landscape garden in its finest forms, inspires the human soul, imagination, and devotion to the power of visual living matter.

There is not much time in our  human life’s calendar to do all things good and inspiring arising from ones soul……

I am a regular Dennis Prager fan and have been for more than a decade.  Being a Brooklyner, perhaps he is too urban, perhaps too urbane as well, to recognize the value of gardening the human soul with God’s Biblical  Truth and Beauty of   mind  and  behavior arises from the Garden of Eden…..and the touch and feel, that ONE IS CLOSEST TO GOD IN THE GARDEN.

Think of all the flowers, shrubs, and trees of the human  mind you are tending every day you share your sermons whether political, social, or religious.

 

“Scientists” Rally for Climate Control!

LEFT-WING MASHUP   by David Rothbard  at CFACT:

Saturday’s “March for Science” dramatically illustrated that “science” is the last thing the global warming movement is about.

Yesterday I shared some of what I saw at the march.

Take a look at the classic collection of radical codswallop Marc Morano exposed over at Climate Depot.

Every politically correct, Left-wing fad of the moment was on display – all presented in the name of “science.”  It quickly became clear these marchers have no idea what science and its methods entail.  What they call “science” is nothing more than a rhetorical tactic designed to cut off thinking, debate, and free choice.  In short, “shut up and meet our demands.”

CFACT student leaders from George Washington University brought along a video camera and went on a search for people with an understanding of science at the march.  They posted their video to YouTube.

This coming Saturday is the “People’s Climate March” where those assembled will drop their scientific pretext still further and go all-in for the tired yet somehow again dangerous rhetoric of socialism. 

If the radicals in our streets have anything to teach us, it is that our society needs to remember what genuine science is all about.  We need a crash course in history even more.