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Baltimore State’s Attorney Mosby: Actions Of These Officers Will Not And Should Not Represent Police
The charges filed by Baltimore City State’s Attorney:
Officer Caesar R. Goodson Jr. was charged with;
Second degree depraved heart murder (30 yrs.)
Manslaughter (involuntary) (10 yrs.)
Assault/second degree (10 yrs.)
Manslaughter by vehicle (gross negligence) (10 yrs.)
Manslaughter by vehicle (criminal negligence) (3 yrs.)
Misconduct in office (8th Amendment*)
Officer William G. Porter was charged with;
Manslaughter (involuntary) (10 yrs.)
Assault/second degree (10 yrs.)
Misconduct in office (8th Amendment*)
Lt. Brian W. Rice was charged with;
Manslaughter (involuntary) (10 yrs.)
Assault/second degree (10 yrs.)
Assault/second degree (10 yrs.)
Misconduct in office (8th Amendment*)
Misconduct in office (8th Amendment*)
False imprisonment (8th Amendment*)
Officer Edward M. Nero was charged with;
Assault/second degree (10 yrs.)
Assault/second degree (10 yrs.)
Misconduct in office (8th Amendment*)
Misconduct in office (8th Amendment*)
False imprisonment (8th Amendment*)
Officer Garrett E. Miller was charged with;
Assault/second degree (10 yrs.)
Assault/second degree (10 yrs.)
Misconduct in office (8th Amendment*)
Misconduct in office (8th Amendment*)
False imprisonment (8th Amendment*)
Sgt. Alicia D. White was charged with;
Manslaughter (involuntary) (10 yrs.)
Assault/second degree (10 yrs.)
Misconduct in office (8th Amendment*)
View the video below:
Video of Freddie Gray’s arrest: http://www.realclearpolitics.com/video/2015/05/01/video_of_freddie_grays_arrest_seems_to_rule_out_narrative_that_he_injured_himself_inside_police_van.html
Filed under: Justice and the Law, Non-Political, Racial disorder, The Press | 1 Comment »
The day was Friday, February 22, 1960!
During the 1950s and throughout the 1960s I did the Minnesota State High School weekly hockey ratings for the St. Paul Pioneer Press. Herb Brooks starred on the 1955 Johnson High School team which won the State Championship that year. With the exception of the State Tournament games and games played in the St. Paul and Minneapolis city school league competitions, hockey was an outdoor sport then.
Some games were played in below zero temperatures, and up in the Iron Range or Northwest Minn. where the majority of the best school hockey teams played, many many degrees below zero. One winter I joined sports journalist, Ralph Reeve of the Pioneer Press to watch a game between perennial state powerhouses, Roseau and St. Paul’s Johnson for an evening game with the temperature fourteen below zero played in an unheated wooden structure built locally to protect about 1500 fans from an evening windchill, about half of the communities resident population.
Roseau is located about 300 miles northwest of the Twin Cities, maybe more.
I believe 12 of the players on the USA Miracle team were raised in Minnesota or had Minnesota blood connections. Mark Johnson’s dad, Bob, was a friend of mine as a classmate earning graduate school credits at the University of Minnesota before he became a very successful coach at the University of Wisconsin. Mark scored the last second goal of the first period of the Miracle game to tie the score at 2-2.
I was well aware then of the competitive nature of the coach, Herbie Brooks, who orchestrated the Miracle victory determined to develop a team capable of beating the Russians whether anyone liked it or not. Few people remember that Brooks graduated from Minnesota in psychology, a topic he used to his advantage, as it turned out.
At the end of the video below you will notice coach Brooks quickly leaving the shocked and thrilled American audience at the end of the game……He found a private corner alone and collapsed into tears. (Wouldn’t you?)
The team still had to play and beat, not just tie Finland a couple of days later or the Soviets would have taken the Gold to Moscow. After two heart -wrenching periods USA came from behind to beat the Finns 4-2.
I listened to the game for two periods on radio for the game was not presented to us televised. I had expected us to play well. Brooks (purposely, I am sure) scheduled a game against the Soviets in Madison Square Garden a week or so before the Olympic games had begun….and USA lost 10-3….which in football terms would be around 70-19. He had arranged for his players to take out their hate against him, who had made them pay mentally and physically dearly training for the Olympics, by focusing totally on the game and the reason they were trained to do…..beat the Russkies and win the Gold Medal.
It was in the third period of play when the speed and strength trained Americans skated almost on a par with their professional Soviet competitors, all inducted into the Red Army to play hockey professionally.
The Soviet team had been out-coached, for that special game anyway.
Their speed, stamina, and style had surprised them, some of the Russian players mentioned years later.
If you have never seen the last minute of the Miracle….take a look now by clicking below…..
Filed under: American Culture, Beauty, Non-Political, Sports and Leisure | Tagged: Sports | Leave a comment »
I am 80. My generation was not allowed to see director D. W. Griffith’s “The Birth of a Nation”. It was ‘KKK racist’, those in control said. I cannot remember the first time I had heard of the movie, but learned early in life, the film was a masterpiece of art and form of its time and thought I should like to see it.
Racism, neither the white nor the black variety, was not a common word in St. Paul, Minnesota vocabulary in early years of learnings. I was a Brooklyn Dodger baseball fan then, for our local club, the Saints, belonged to the Dodger franchise. A Negro, Jackie Robinson was already a national hero as a Dodger in 1947. I was aware he was the first Negro introduced to the Major Leagues. I already knew the name Satchel Paige, a long time pitching star in some national ‘colored’ league as they called it from the baseball world then. The next year a Negro catcher, Roy Campanela joined our Saints. President Harry Truman opened the door for Negroes to serve in the military. Contrary to much black racist folklore, there were no riots, no stirs, no collapse of civil obedience.
Philco television arrived at our house in early 1948. CBS’s radio program, “You Are There” became “See It Now” on television, programs about American history I followed as a religion. I believe it was CBS television where, upon occasion, great movies were mentioned and reviewed regularly. I had already seen “Gone With the Wind” somewhere along the line and became entranced by all things dealing with the Civil War and the nation’s history since. I bought my first Abraham Lincoln biography the same year. The KKK never acquired any sympathy anywhere that I know of in those days around our geography. However, lefties even then celebrated a Negro hanging in Duluth in the 1910s. They were selling Soviet Communism to destroy America then.
I remember viewing bits and pieces of “The Birth of a Nation” both shown on television during my adolescence, and later in a college classroom or two being sold as white racist propaganda. I received it as so, for the depictions I saw in the bits shown of black ignorance, vulgarities, and savagery seemed racist and false. I attended a mixed race public school from freshman year-on where racism of any kind was neither expected nor allowed by the male authoritarians running the place. While there I never heard of nor saw a fist fight between races…..the entire community was supposed to be equally civilized or else.
I now spend time at American History Channel television where I can keep up on things atheist, black racist, leftist, feminist, to keep up with the language and mind of today’s American university professors who corrupt American culture.
AHC was featuring Dick Lehr who had just written, “The Birth of a Nation”, a book about the origins of the film of that name and its white racist, a bigot, as Lehr politely described him, the director and producer, D.W. Griffith. He teaches journalism at Boston U. He was raised in Connecticut and graduated from Harvard…..exactly as I expected him to be.
Mr. Lehr seemed very polite and sincerely taken by the art of Griffith’s work….which quickly made him worthy of my ear….(snobby though that may sound, I need such censorship or I would never get away from television’s classes, the good and the bad. I much prefer listening to enemies of learning and other leftist propaganda so I understand better today’s enemies of life, liberty, and the pursuit of happiness.
Mr. Lehr admitted he was not an historian. One does not have to be a history major graduate to have ideas and interests in history. He declared unequivocally that Griffith’s “Birth” was a white racist propaganda piece. (So was Edward Zwick’s film, “Glory”, or any movie with a particular social-historical tale to tell, but he didn’t mention that.)
Mr. Lehr’s book was written to hook up with the 100th year ‘celebration’ of this Griffith masterpiece production….February 17th, 2015. He was noticeably proud of the riots against the showing of the film in Boston in 1915, yet he didn’t seem to be calling for universal censorship. It’s the second half of the film (which expressed a southern white interpretation of the rise and purpose of the Ku Klux Klan….after all, Griffith was born and raised a southern white.)
The claim that Griffith’s “Birth” set a stage for the KKK’s massive widespread revival of violence throughout our border and southern states up to the late 1920s can be proved by statistics. How does anyone know if that was his ‘racist’ intent? How can claim he projected in his artwork the basics of the life he experienced and learned in his own childhood.
I suggest Professor Lehr and others condemned to effect black racism upon Americans these days ignore the conditions of the defeated and devastated South from 1865 for the next quarter century and then again through 1915 to understand the world not as the snobs at Harvard and its Massachusetts entertain in the then and now, but how the white agricultural South, profoundly struggled in every conceivable way particularly during “Reconstruction”.
Mr. Lehr added a lefty programmed gentle black to his after film conversation and phone answsering time. Only black racists filled the phone line most of them black. One black feminist excitedly announced “Black women were raped…all legalized by whites”, but was not asked for details of the where, when, and the count.
President Woodrow Wilson also failed the History Channel’s racistlessness test. This president, Lehr suggested, participated in Griffith’s profiteering by hosting a packed-house IN the White House, the first showing of “The Birth of a Nation”, Feb. 18, 1915. The president’s comments about the film made a century ago did not pass the author’s muster at this December 22, 2014 AHC CSpan3 performance. The president never mentioned the cultural environment and language of that day might not be quite the same as today’s marriage of black racism to university standards of intolerance.
I am glad that I had not seen more than the bits and pieces of “The Birth” during my young yesterday. The film’s over exercisings and dramatizings might have sent me outdoors for better use of my time. I felt art in those days, but didn’t understand it. Today, I watched the film, about the two and a half hour version of it, as an art piece. Dick Lehr’s ravings of Griffith’s movie were in no way a stretch. To think that this “Birth” was the first of the truly greats in our world of movies is minor compared to the skilled mastery of the director’s eye and command to ‘invent’ life in a new world of entertainment and learnings so vital in our human efforts to know better the known and the unknown.
The following is a review of Griffith’s “The Birth of a Nation” by film critic, Roger Ebert:
“He achieved what no other known man has achieved. To watch his work is like being witness to the beginning of melody, or the first conscious use of the lever or the wheel; the emergence, coordination and first eloquence of language; the birth of an art: and to realize that this is all the work of one man.
These words by James Agee about D. W. Griffith are almost by definition the highest praise any film director has ever received from a great film critic. On the other hand, the equally distinguished critic Andrew Sarris wrote about Griffith’s masterpiece: “Classic or not, ‘Birth of a Nation’ has long been one of the embarrassments of film scholarship. It can’t be ignored…and yet it was regarded as outrageously racist even at a time when racism was hardly a household word.” Please read on:
http://www.rogerebert.com/reviews/great-movie-the-birth-of-a-nation-1915
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